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Sound is a very creative medium and it may require a lot of experimentation to perfect the audio in a game. Selecting good sound effects is essential because the player will likely hear them many times and bad or annoying audio will quickly discourage further play. The same is true for the soundtrack, which has equal potential to either enhance or annoy. The pygame.mixer module provides Pygame s sound effects capabilities, which allow you to load and play sound files on one of a number of channels. When sound is played through a Sound object, Pygame will automatically allocate a free channel. This is the simplest approach, but you have the option of managing channels yourself by playing the sound on a specific channel. I recommend this only if you will be playing many sounds and want to prioritize them. Although you can play any audio with Sound objects, it is best to play music with the pygame.mixer.music module because it can stream the audio, rather than loading the entire file into memory. The music module provides a number of simple functions that you can use to manage the music in your game. The next chapter covers more techniques that you can use to create convincing 3D visuals in a game.

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Note Paired programming is when two developers work on a task together. It is one of the XP practices,

To demonstrate scope, the next example shows a function that computes the point halfway between two integers The third and fourth lines show intermediate values being calculated // function let halfWay let dif let mid mid + a to calculate a midpoint a b = = b - a = dif / 2.

Lights, Camera, Action!

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// call the function and print the results printfn "(halfWay 5 11) = %i" (halfWay 5 11) printfn "(halfWay 11 5) = %i" (halfWay 11 5) First, the difference between the two numbers is calculated, and this is assigned to the identifier dif using the let keyword. To show that this is an intermediate value within the function, it is indented by four spaces. The choice of the number of spaces is left to the programmer, but the convention is four. After that, the example calculates the midpoint, assigning it to the identifier mid using the same indentation. Finally, the desired result of the function is the midpoint plus a, so the code can simply say mid + a, and this becomes the function s result.

It takes courage for the development team members to tell the project stakeholders that they are not going to complete all of the user stories in a given iteration.

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In s 8 and 9, you learned how to manipulate 3D information and use OpenGL to display simple models. In this chapter we will cover how to work with images to create more visually appealing scenes. We will also discuss how to read a 3D model from a file, which is an important step in creating a polished game.

N ote You cannot use tabs instead of spaces for indenting, because these can look different in different text editors, which causes problems when whitespace is significant.

In 9 you learned how to create a 3D model from shaded polygons, but in order to make an object look really convincing you need to use textures, which are images that have been stretched into the shape of a polygon. Vertices and polygons create the shape of a model, but textures define the final look of any 3D object. You could transform a model of a futuristic solider to a zombie, or even a statue, simply by changing which images are used for its textures. OpenGL has excellent support for textures and can be used to create highly detailed models and scenery in a game.

The results of this example are as follows: (halfWay 5 11) = 8 (halfWay 11 5) = 8

While the XP values are bold and can influence your team s development mind-set, they are a bit too vague when it is time to start selecting practices that implement these values. To bridge the gap between values and practices, XP needed a set of principles that built on the values. Fifteen principles are derived from the four XP values. These principles are the focus of this section. The first five of these are the fundamental XP principles.

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